A novel is something that contains its own negation, right? So a novel is not a novel without an anti-novel lodged in it. It’s like an oyster: it isn’t interesting unless it has got a bit of grit in it as well — that not-oyster bit that kind of produces the pearl. In Tristram Shandy, this is precisely what produces the drama: the central drama of that book is its own undermining. And I think, in a way, this is what every book should be, in one way or another.
Tom McCarthy talks about Tristram Shandy in BBC Four’s Birth of the Novel.
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